Eleven Discs That You Probably Missed In 2005
(in some particular order)
As always, Webb cuts to the chase of where we as the church need to be, without
expressing it as personal piety. For fans of Rich Mullins and the Foo Fighters
acoustic material.
My Will Be A Dead Man is my theme song for 2006.
A beautiful album of love songs that seems to have outlived the romance. She
still hasn't found what she's looking for - I look forward to the day that she
does.
Featured in everything from Alias to Burnout Revenge, Hunter makes music the
world can't ignore.
Charlie has made the jazz record many, including me, hoped that he would make,
drawing on influences of Miles Davis, John Coltrane and Dave Brubeck. Worth
ordering online and waiting by the mailbox for.
An outside producer brings out the sound and intensity of a live King's X show.
All the fans that faded away can come back out and play again. But you never
should have left.
Go see these guys live. Drive hours if necessary.
The closest thing to the perfect CD there may have ever been, musically and
lyrically. Proof that producer Brown Bannister may not have peaked with White
Heart's Freedom.
In my humble opinion, Dave Grohl is the Lennon and McCartney of our generation.
This is by no means a slight on his incredible bandmates. This is the McDLT of
music - Disc one keeps the hot side hot, Two keeps the cool side cool.
4th Avenue Jones creates a whole new genre of HipRockSoul, combining the most
infectious elements of all three styles while refusing to candycoat the
grittiness of life. The best new creation since Mortal discovered "Hypersoul"
in 1993.
Mike Roe is a fan of the Foos and it shows. I prefer to think that Dave Grohl
may have grown up on 77's records. Everybody ought to know who the 77's is.
My biggest surprise of the last ten years. The last Delirious? song that blew
my mind was 1996's Obsession, so I didn't expect much. This disc mines the best
of Coldplay and classic Mad At The World, while finding their own ogre tones.